Glasgow

The artist transforms The Modern Institute in Glasgow into a studio and living room decorated with references to his peers and heroes 

At The Common Guild in Glasgow, the artist’s sculptures combine traditional female reclining nudes with tools of service labor

A free art-writing course for aspiring critics which takes place in Glasgow in the summer, supported by Frieze membership

At The Modern Institute, Glasgow, an exhibition filled with religious symbolism feels curiously shallow

The artist and DJ’s first solo show at Tramway, Glasgow, is a stunning exploration of West African music

A characteristically understated exhibition at The Modern Institute uses light and domestic materials to allude to inimical forces at play in the home

The last work by the artist leaves us in the company of painting’s favourite shape

In the context of increasingly sadistic attacks on Muslim people, the Glasgow-based artist provides a space for grief and dreaming

‘Gray’s presence is painted on the city; he’s a local, living myth’

‘It showed the power of placing something dumb and ugly next to something glorious’

For her very first solo show, the artist brings her own biography onto the walls of Glasgow’s Transmission Gallery

A exhibition at Glasgow’s Gallery of Modern Art is part of a series of events across Scotland marking the centenary of the filmmaker’s birth

In a Victorian-era baths in Glasgow, the artist stages her largest performance project to date, featuring a 24-woman swim team

In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided

Cancelled events and financial woes have left neighbours such as CCA and its cultural tenants in a state of limbo

The artist's tightly choreographed show about surveillance culture at Koppe Astner, Glasgow

At this year’s GI festival, directed by Richard Parry, a future-focused assemblage of what it means to be human

From Linder at the Women’s Library to rare paintings by Serge Charchoune, the exhibitions to see outside of the main programme

The Barbadian filmmaker, recipient of this year’s Margaret Tait Award, is intent on disrupting institutional complacency

The gallery argues that the funding body is no longer supportive of institutions that maintain a principled refusal of professionalization