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Hans Ulrich Obrist

‘I started to read Mayröcker’s work obsessively. She became one of the few writers whose every written word I have read’

By Hans Ulrich Obrist

With 12 hours of talks (and only one 20-minute break) on a Saturday, the Serpentine Marathon illustrates how the art world plays by its own rules

By Hettie Judah

On the socially committed architecture of Diébédo Francis Kéré, winner of this year’s Serpentine Pavilion commission

By Jack Self

Colin Siyuan Chinnery considers the development of China’s non-profit sector and its relationship with the international art scene

By Colin Siyuan Chinnery

Playlist - 03 Apr 2017

Parker Ito; David Bowie; Glen Gould 

Indian painter SH Raza passes away at 94, and three Lower East Side gallerists unite to establish a new space

Ann Goldstein moves to Chicago and Pussy Riot are set to unite with Tania Bruguera: a look at the latest headlines

What does the future hold for art institutions? 

By Max Andrews
Clark Beaumont, Coexisting, 2013. Photograph: Jamie North/Kaldor Public Art Projects

Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body an

By Emily Cormack
One-Time Pad, 2012, oil, vinyl, pigment marker and varnish on canvas, 2.8 × 4.5 m  3

The hermetic, inventive world of Thomas Scheibitz

By Kirsty Bell
unitednationsplaza/The Building, Berlin, 2006-9. Courtesy: e-flux projects; photograph: Hans-Georg Gaul

Maria Lind and Dieter Roelstraete talk to Anton Vidokle about the informal, ‘free school’ initiatives in Berlin

By Maria Lind and Dieter Roelstraete

Huerta de San Vincente, Granada, Spain

By Jennifer Higgie