Hauser & Wirth

The artist’s tent city at Hauser & Wirth, in rapidly gentrifying downtown LA, is a ‘parody of pious politically activist art’ 

By Jonathan Griffin

From Somerset to Menorca, H&W’s ‘art centre’ model has redefined what a commercial gallery can be. Can our public institutions compete?

By Chris Fite-Wassilak

The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived

By Audrey Wollen

The Black female gaze shines resiliently through the stormy surfaces of the artist’s paintings on view at Hauser & Wirth

By Rebecca Rose Cuomo

Ahead of Zurich Art Weekend, the pick of the shows to see in the city

By Aoife Rosenmeyer
Max Bill, konstruktion auf der formel a² + b² = c² (construction from formula a² + b² = c²), 1937, multicoloured gouache and ink on cardboard, 30 × 50 cm. Courtesy: Angela Thomas Schmid and ProLitteris, Zurich


9 Jun
14 Sep
Lorna Simpson, Lure, 2019. © Lorna Simpson. Courtesy: the artist and Hauser & Wirth; photo: James Wang

Hauser & Wirth, London (JAM4)

Hong Kong

28 May
27 Jul
Louise Bourgeois 'Nature Study' 1986

Hong Kong

26 Mar
11 May


9 Jun
14 Sep
Franz West 'Allzweckkasten (Multi-purpose box)' 1988


15 Mar
4 May