Once dubbed ‘the world’s factory floor’, Shenzhen has re-invented itself as a centre of innovation
What use is art when there is no water? Sean O’Toole, Hou Hanru and Barbara Casavecchia on responding to the challenges that this year brings
Colin Siyuan Chinnery considers the development of China’s non-profit sector and its relationship with the international art scene
What accounts for Ai Weiwei's unique position in the cultural make-up of contemporary China?