Sound and light as means of order and control melt into signifiers of rebellion and counter-culture in Rodeh’s immersive installations

By Hili Perlson

‘I remember being hit by the odour of smoke and the soft, hazy light bathing the enormous space of the abandoned factory’

By İpek Duben
Piero Golia, Chalet Hollywood, 2016. Courtesy the artist; photograph: Jeremy Bittermann

What Piero Golia's Chalet project reveals about private and public social spaces for artists

By Aram Moshayedi
Alexandre Estrela, Pockets of Silence, 2015, installation view, HD video projection and fibreglass sculpture. All images courtesy Museo Nacional Centro de Arte Reina Sofía; photographs Joaquín Cortés / Román Lores

Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

By Max Andrews
Joshua Portway and Lise Autogena, Black Shoals; Dark Matter, 2015, still of real-time representation of the financial markets. Courtesy the artists and Somerset House, London

Whitechapel Gallery & Somerset House, London, UK

By Gary Zhexi Zhang
Ellen Harvey, New Forest/The Internal Revenue Office Reforested, 2013, acrylic, oil and varnish on 20 wood panels, 2.3 × 4.1 m

The Barnes Foundation and Locks Gallery, Philadelphia, USA

By Becky Huff Hunter
Barbara Bloom, The Weather, 2015, installation view

Galleria Raffaela Cortese, Milan, Italy

By Barbara Casavecchia
Jimenez Lai, Lost & Found, 2015, installation view

Various Venues, Shenzen, China

By Beatrice Leanza
Emma Haugh, ‘The Re-appropriation of Sensuality’, 2015, performance documentation

National College of Art and Design Gallery, Dublin

By Gemma Tipton