Issue 203

Showing results 1-11 of 11

Renato Leotta employs moonlight, waves, dry-stone walls and ‘southern thought’ in order to ‘slow down time’

BY Barbara Casavecchia |

The queer cyberfeminist pioneer’s Taiwan Pavilion in Venice explores surveillance, pleasure and control

BY Zach Blas |

To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them

BY Andrew Durbin |

An exhibition at Seventeen, London, reflects upon the precarious world that the arts professional must negotiate

BY Paul Rekret |

This specially-commissioned visual essay by Tony Cokes draws from theorist Kodwo Eshun’s moving epitaph for his friend, the critic Mark Fisher

BY Tony Cokes |

From Mx Justin Vivian Bond to Andy Warhol: fan artists in New York

BY Olivia Laing |

How archival collections are being re-animated via new technologies

BY Ellen Mara De Wachter |

After years in the critical wilderness, Pattern and Decoration, the first postmodern art movement, is being reassessed by a number of exhibitions in Europe and the US 

BY Amy Sherlock |

Against a growing digital landscape, cinema magazines dedicated to print are on the rise

BY Erika Balsom |

The artist takes us through her multi-faceted practice, now on view in her retrospective at Museum Ludwig, Cologne 

BY Övül Ö. Durmuşoğlu |

Her retrospective at the Met is a five-decade meditation on the vastness of the cosmos and the insignificance of human life

BY Sarah Manguso |