Issue 242

At Museum of the Moving Image, New York, a retrospective of the artist reveals an enchantment with technology’s possibilities and a disillusionment with its uses

The unfazed female figures in the artist’s ‘Hotel Paintings’ may be viewed as a playful act of self-satire

At 52 Walker, New York, the artist honours the poet by bridging her writing and her beloved Los Angeles

At STPI Creative Workshop & Gallery, a modest survey of the artist reflects on how we share and absorb information and knowledge

A solo exhibition at Lagune Ouest, Copenhagen, takes a nostalgic look at the favoured haunt of Danish intellectuals

At the Art Gallery of Guelph, the late artist’s vibrant drawings depict interspecies relationships and the land that unites them

The artist’s solo show at Rose Easton in London features Br’er Rabbit, who rummages through cultural ruins in search of something new

At Peres Projects, Milan, the artist's new video takes her idolization of My Chemical Romance to cinematic new levels

At Marian Goodman, Los Angeles, the artist’s extraterrestrial works are haunted by real-world doom

In Dublin, the sculptor creates a fragile yet majestic symbol of power by reimagining the famous marble felines of Rome’s Villa Medici

At Mendes Wood DM’s Casa Iramaia, São Paulo, two artists, separated by a century, are engaged in a nocturnal dialogue

At Jameel Arts Center, Dubai, a group show examines the role of hospitality in the UAE and the wider Gulf region

At the Hepworth Wakefield, the artist’s large-scale compositions and intimate miniatures on book covers conjure a subtle and imaginative realm