Jala Wahid

At Sophie Tappeiner, Vienna, the artist highlights the ways in which Kurdish culture is expressed at the intersection of myth and reality

By Tom Hastings

Artists, curators and gallerists may not be able to stop war, but we can tell those who rake its profits that the arts are not open for their business

By Sarah Jilani
Jala Wahid, ‘Akh Milk Bile Threat’, 2017, Seventeen, London

London

9 Sep
14 Oct
Alina Szapocznikow, Petit Dessert I (Small Dessert I), 1970-71, coloured polyester resin and glass, 8 x 11 x 13 cm. Courtesy: Broadway 1602, New York, and Galerie Gisela Capitain GmbH, Cologne © The Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris and DACS, London 2016; photograph: Thomas Mueller

From Shahmaran, Queen of Snakes, to Star Trek: First Contact: the London-based artist explains her favourite images

By Jala Wahid

Seventeen, London, UK

By Patrick Langley