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Jesse Jones

Why is the figure of the witch and magical practice making a 21st-century comeback in the arts?

By Tom Jeffreys

‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today

By Hettie Judah

Artist Jesse Jones, who represented Ireland at last year’s Venice Biennale, on what is at stake in Friday’s Irish abortion referendum

By Jesse Jones
Werken, 2017, Chilean pavilion, Arsenale, 57th Venice Biennale. Courtesy: La Biennale di Venezia; photograph: Italo Rondinella

Highlights of the National Pavilions in the Arsenale

By Jennifer Higgie
Jesse Jones, The Spectre and the Sphere (2008)

Project Arts Centre, Dublin, Ireland

By Tim Stott