Jimmie Durham

Illustration by Lauren Rolwing

On losing faith in generalism, learning to listen and embracing doubt 

Jimmie Durham, Head, 2006. Fondazione Morra Greco, Naples, Italy. Courtesy: kurimanzutto, Mexico City

New York

3 Nov
28 Jan

A report from the Lofoten International Arts Festival: ‘I Taste the Future’

Jimmie Durham, Self-portrait Pretending to Be Maria Thereza Alves, 2006, photograph, 81 × 60 cm. Courtesy: the artist; photograph: Maria Thereza Alves

On recent artistic appropriation controversies

Former V&A director Martin Roth has died; Montreal Biennale struggles with debt; National Academy artists defend Dana Schutz

The best of this year's LA shows, featuring Nathaniel Mellors and a survey at the newly opened Hauser Wirth & Schimmel

Natalie Häusler, Aykan/Casino, 2013, stained glass,  speakers, mp3 player,  sound, book page from ‘still life’,  78 × 48 × 16 cm. Courtesy: the artist and Supportico Lopez, Berlin; photograph: Hans-Georg Gaul

Approaching sincerity via poetry and art

Painted Self-Portrait, 2007, acrylic and edding on colour photograph, 83 × 61 cm

On the occasion of a major retrospective at M HKA in Antwerp, Jimmie Durham talks to Kirsty Bell about enthusiasm, itinerancy, cities, poetry

Artists' Film - 27 Sep 2012

Artist Jimmie Durham reads a selection of poems from his forthcoming volume Poems That Do Not Go Together (2012)

Peter Fischli / David Weiss, Der Brand von Uster aus der „Wurstserie“, 1979

Is there any way to escape national stereotypes?

Eko Negroho, Cut the Mountain and Let it Fly, 2009. Courtesy: Caisse d'Epargne, Rhône Alpes, M.E.R.I.C/CIREME, CPRO/CAPAROL

Curator Hou Hanru turns to everyday spectacle for inspiration