John Menick

At Thomas Dane Gallery, London, the artist explores how class domination is maintained through the conservation of objects

Remi Weekes transposes the classic haunted house genre to a mouldering council flat inhabited by South Sudanese refugees

The new Netflix documentary is a distraction from the drive to regulate tech companies, including Netflix itself

The first blockbuster to return to theatres demonstrates Hollywood’s eagerness to ‘exploit bodily presence for profit’ during the pandemic

In decontextualizing the former Vice President from geo-political circumstance, Adam McKay’s film threatens to add gloss to Cheney’s reputation

Sigmund Freud goes to the movies