Lars von Trier

It’s possible to think of the director as a troll first and serious director second – this is understandable, but regrettable

By Vadim Rizov
Thomas Vinterberg, The Commune, 2016. Photograph: Ola Kjelbye

Thomas Vinterberg’s return to form: part two of the best new film releases selected by Bert Rebhandl

By Bert Rebhandl

In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them

By Translated by Nicholas Grindell

Margaret Atwood’s new novel and Lars von Trier’s Antichrist

By Mark Fisher