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Live art

Lee Bul, Abortion, 1989, performance documentation. Courtesy: the artist and PKM Gallery, Seoul

In a climate of perma-outrage has live art self-censored to live entertainment?

By Hettie Judah
Raphael Gygax at Donna Kukama's commission for Frieze Projects at Frieze London 2017

Frieze Fairs - 10 Oct 2017

Raphael Gygax explores the meaning of Frieze Projects 2017