Logistics

Söhnke Streckel, Einreichung zum Fotowettbewerb, abgebildet: BND-Telekommunikationsturm, Brocken, Saxony-Anhalt, 2013 (courtesy: Söhnke Streckel & Frankfurter Kunstverein)

Trevor Paglen explains the photography competition he organized as part of his show at Frankfurter Kunstverein

Basic Circles & Magic Squares, Skizze für Work/Travail/Arbeid, von Anne Teresa De Keersmaeker, 2014 (courtesy: Anne Teresa De Keersmaeker & WIELS, Brussels)

What are the challenges of producing a dance piece in the form of an exhibition?

Aufbau des DER ITALIENER, 2014, von Cosima von Bonin, mumok, Wien, 2014

Why Cosima von Bonin installed a vomiting sculpture on the facade of mumok in Vienna

Insassen der JVA Ebrach beim Zusammenbauen der Vierkantrohre Serie D. Courtesy: zwischenbericht (Kerstin Polzin & Anja Schoeller)

How inmates of a young adults’ prison near Bamberg recreated a piece by Charlotte Posenenske

Rendering der Installation, The Sky Over Nine Columns, 2014, courtesy: Reginald Weiss, Mönchengladbach

Heinz Mack on his sculptural work The Sky Over Nine Columns that will be installed in Venice this summer

Thermogramme der Nase und der Triebwerke eines Airbus A380 (courtesy: der Künstler)

For this regular series, artist Yngve Holen explains the processes behind his experiments with 3D scanning and printing

1 Wand mit Korrektur­­anweisungen und Kennzeichnungen

From latex printing to art restoration: Markus Hoffmann of renowned Dusseldorf photo lab Grieger takes us through the company’s processes

Der Atom-Eisbrecher „Lenin“ in den 1960er Jahren (Fotografie: FSUE Atomflot)

In this series, frieze d/e looks at the logistics behind art works.

In this series, frieze d/e looks at the logistics behind art works.

Bronzegießen in der Kunstgiesserei St. Gallen, 2010 (Fotografie: Katalin Deér, © Kunstgiesserei St. Gallen AG und Sitterwerk)

In this series, frieze d/e looks at the logistics behind art works. Here, the founder and the director of Sitterwerk in St.

Bordkarte für die Reise von Almaty, Kasachstan, nach Taschkent, Usbekistan, im Dezember 2012

In this series, frieze d/e asks artists to discuss the logistical background to their works.

Lichtbild Atlas 2 3, 2011 (courtesy: der Künstler & Galerie Sabine Knust, München)

In this series, frieze d/e asks artists to discuss the technical and logistical background to their works