Marisa Merz

The only woman affiliated with the Arte Povera movement resisted machines, definitions and permanence

By Hans Ulrich Obrist

In further news: Marisa Merz (1926-2019); and artists withdraw from Whitney Biennial

By Frieze News Desk

‘When I opened Monika Sprüth Galerie, only very few German gallerists represented women artists’

By Pablo Larios
Marisa Merz, Untitled, 1991, pastel on chipboard in iron frame,110 x 130 x 2 cm. Courtesy: Glenstone Museum, Potomac, Maryland and Hammer Museum, Los Angeles; photograph: Ron Amstutz

Hammer Museum, Los Angeles, USA

By Olivian Cha

Jennifer Piejko's guide to the best current shows in LA

By Jennifer Piejko
Gagosian Gallery at Frieze New York 2017. Courtesy: Mark Blower/Frieze

The first day of the weekend is the second public day of Frieze New York 2017. Plan your day around the city and the fair

Lilla Cabot Perry, The Black Hat, 1914, oil on canvas, 128 × 92 cm. Courtesy: Currier Museum of Art, Manchester, New Hampshire

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries?

By Kaelen Wilson-Goldie