MASP

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From an exhibition that positions paintings as ‘Popstars’ in Tokyo to the inaugural group show of a new curatorial collective in Dubai

Layered meanings in a haunting piece by the L.A.-based artist, whose work is currently on view at MASP São Paulo and the Venice Biennale

BY Leslie Dick |

At Museu de Arte de São Paulo, the artist memorializes the Black leaders and notable individuals overlooked in the country’s visual past

BY Camila Belchior |

The exhibition at the National Gallery of Art, Washington D.C., reminds us that non-Black people cannot excise themselves from the history of the African Diaspora

BY Chase Quinn |

In a generous survey at the Museu de Arte de São Paulo, the artist reminds us that, even in times of adversity, art has the power to bring people together

BY Fernanda Brenner |

At MASP and SESC Avenida Paulista, the artist’s survey asks who ‘belongs’ and who controls the national narrative

BY Camila Belchior |

Lina Bo and Pietro Maria Bardi’s Instituto de Arte Contemporânea courted controversy by applying European pedagogical models in a post-colonial context

BY Dr. Jane Hall |

At Museu de Arte de São Paulo and Casa de Vidro, São Paulo, hand-woven sculptures inhabit the buildings, incorporating tree trunks and branches

BY Camila Belchior |

Bolsonaro’s repeated insults towards women, people of colour and the LGBT community, should have been enough to derail his campaign – it wasn’t

BY Fernanda Brenner |

Museu de Arte de São Paulo (MASP), São Paulo, Brazil

BY Fernanda Brenner |

Coinciding with the 32nd Bienal de São Paulo, a guide to the best current shows in the city 

BY Kiki Mazzucchelli |