Max L. Feldman

At Galerie Martin Janda, Vienna, the artist asks: what does communal political action look like today?

By Max L. Feldman

From imperial jewels to a miniature sarcophagus, this chamber of curiosities at the Kunsthistorisches Museum mixes fastidiousness with kitsch

By Max L. Feldman

In her first Vienna solo, the artist blends understated textures, austere tones and bold gestures to a satisfying, yet elusive, effect

By Max L. Feldman
Joel Shapiro, 2017, installation view, PACE, London. Courtesy: Artists Rights Society (ARS), New York and PACE Gallery, London; photograph: Brian Griffiths

Pace, London, UK

By Max L. Feldman