‘The Redemption of Vanity’, 2019, installation view. Courtesy: Diemut Strebe

We spoke to MIT’s artist-in-residence about the new substance – which absorbs 99.995 percent of incoming light

By Frieze News Desk

Two recent conferences at MIT and the New Museum reveal the benefits, and pratfalls, of art and science collaborations

By Evan Moffitt
Poster design for Bauhaus: Weimar, Dessau, Berlin, Chicago, MIT Press, 1969. Courtesy: MIT, Cambridge

Muriel Cooper: a graphic design pioneer who anticipated the digital revolution

By Markus Weisbeck