Mitch Speed

An exhibition across both Galerie Isabella Bortolozzi and Eden Eden, Berlin, shows how the artist leans into the history of painting

Needling, absorptive works animate a biennial in the midst of murky socio-political circumstances

Installation view, Jannis Marwitz, 'Like unhappy fruit', 2017, Lucas Hirsch, Düsseldorf, Germany. Courtesy: Lucas Hirsch, Düsseldorf

Lucas Hirsch, Dusseldorf, Germany

Math Bass, 'Domino Kingdom', 2017, exhibition view, Tanya Leighton, Berlin. Courtesy: the artist and Tanya Leighton, Berlin; photograph: Gunter Lepowski

Tanya Leighton, Berlin, Germany

Galerie Conradi, Hamburg, Germany

carlier | gebauer, Berlin, Germany

Berlinische Galerie, Berlin, Germany

Kimmerich, Berlin, Germany

Galerie Barbara Wien, Berlin, Germany

‘Carpet for a Lord’, 2016, installation view, Supportico Lopez, Belrin

Supportico Lopez, Berlin, Germany

On Gordon Parks’s photographs and Sophie Calle’s recent demand not to be filmed

Adam Curtis’s latest documentary unravels our post-truth world