Morgan Fisher

Morgan Fisher, Phi Phenomenon, 1968. Courtesy: the artist and Bortolami, New York; photograph: Galerie Buchholz, Berlin/Cologne/New York

‘It offers up a lifetime’s worth of thinking about the incommensurate relationship between filmic time and time as it is lived and experienced’

By Aram Moshayedi

From the controversial winner of the Golden Bear to Morgan Fisher's homage to Bruce Conner – to possibly the bleakest film ever made

By Bert Rebhandl
Still from Morgan Fisher, Standard Gauge (1984). Courtesy: the artist

How do we talk about images after the demise of representation?

Galerie Daniel Buchholz, Cologne, Germany

By Catrin Backhaus