How can the genre attract a younger audience that might not have any engagement with the deeply furrowed traditions ingrained in its production, performance and reception?
The French composer's purpose was to find a breach in the fortress of musical tradition, open up ‘fissures of randomness for the poetic adventure to slip through’
On the occasion of a major retrospective in London, Paul Schütze talked to pioneering composer Eliane Radigue about her 50-year career, which spans electronic music, Tibetan Buddhism, musique concrète and ‘anti-acoustics’
