At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
From the Cecilia Vicuña’s paintings celebrating Indigenous forms at the Giardini to Marlene Dumas’s groundbreaking exhibition at Palazzo Grassi, these are the highlights from the 59th Venice Biennale
With the spotlight at the Venice Biennale falling all-too-often on the 30 national pavilions in the Giardini, writer Jennifer Higgie asks whether this 19th-century format still makes sense