Ned Beauman

‘Never before has a document of an event given such a vivid sense of what things may look like after we are gone’

By Ned Beauman

Connecting the dots between modern art and a collection of anatomical wax models in Florence

By Ned Beauman
Paul McCarthy, Painter, 1995, film still. Courtesy: the artist and Hauser & Wirth, London / New York / Zurich © Paul McCarthy 

Why are psychologists watching disturbing video art?

By Ned Beauman

The cats of Louis Wain

By Ned Beauman