Nicolas Roeg

‘Cinematic’ is often overused, but Roeg’s films showed how minds and memories wander back and forth in time, colouring our experience of the world

By Dan Fox
Kaneto Shindo, Onibaba,  1964

The British artist discusses the films that have most influenced him

By Adam Chodzko
Nicolas Roeg working as a cinematographer on the set of The Caretaker, c.1962, directed by Clive Donner. Courtesy: Nicolas Roeg and Faber & Faber

Film director Nicolas Roeg talks to his friend, the artist John Stezaker, about collage, editing and memory, and film’s ability to ‘trap shadows’

By John Stezaker