Olafur Eliasson

The Icelandic-Danish artist’s creation in Vejle, Denmark, responds to the tides and surface of the water: both artwork and architecture

Olafur Eliasson, Rainbow Assembly, 2016, Leeum, Samsung Museum of Art, Seoul, 2016. Photo: Hyunsoo Kim


25 Mar
12 Aug
Olafur Eliasson, ‘Room for One Colour’, 1997, installation view at Moderna Museet, Stockholm, 2015. Courtesy: the artist, Tanya Bonakdar Gallery, New York, neugerrimschneider, Berlin; photo: Anders Sune Berg


30 Oct
28 Feb

First impressions of Christine Macel’s ‘Viva Arte Viva’ in the Central Pavilion

By Evan Moffitt
Olafur Eliasson, Green Light, 2016, wood, recycled yogurt cups, used plastic bags, recycled nylon, LED, 35 × 35 × 35 cm. Courtesy: the artist & Thyssen-Bornemisza Art Contemporary; photograph: Thilo Frank & David de Larrea Remiro / Studio Olafur Eliasson; © Olafur Eliasson

Wie nimmt sich die zeitgenössische Kunst der aktuellen Flüchtlingsfrage an? Und was heißt das für das Verhältnis von Kunst und Politik? Drei Fallbeispiele

By Jörg Scheller
Tree of Codes, 2015

Manchester International Festival, UK

By Amy Sherlock
Fondation Louis Vuitton, Paris, designed by Frank Gehry, photograph by Iwan Baan, 2014

Fondation Louis Vuitton, Paris, France

By Rahma Khazam
Art Club 2000 Untitled (Conran’s I), 1992–3, c-type print

Revisiting art’s social turn and the 1990s: the decade that has yet to end

By Lars Bang Larsen
SANAA / Kazuyo Sejima & Ryue Nishizawa Moriyama House, Tokyo, 2005

From housing design in Japan to urban interventions in Caracas, architecture in 2011 was characterized by a rethinking of public and private space

By Niklas Maak

Artist Olafur Eliasson’s forthcoming professorship at Berlin’s Universität der Künste will be an experiment in art education

By Christy Lange
Olafur Eliasson, The New York City Waterfalls (Brooklyn Bridge) (2008)

Various sites, New York, USA

By James Trainor