Opinion

A new collection of previously uncompiled essays finds a writer poised at the threshold of art and literature

This year’s edition presented an eclectic, international and historical programme that comprised more than 100 screenings and events in the city

With drastic layoffs at online publications, there’s uncertainty not only about digital journalism – but today’s internet as we know it

A newly-translated book by Heike Geissler chronicles the life of a warehouse worker

‘A Time for New Dreams’ at London’s Serpentine Sackler Gallery transcends fashion, offering insights into Wales Bonner’s influences across art and literature

In a medium where ‘flow’ and ‘golden moments’ are designers’ goals, the elegiac ‘Vane’ is decidedly not like other games

A century on, the Viennese master’s paintings and drawings still lay life bare: the angst, thrill, the thrum of flesh

Outer space is not an open field for experimentation and development but a medium for the circulation of information

The way in which we talk about these accolades tends to hyperbole; artworks are not created in a financial vacuum

The razor giant is asking its consumers to examine their supposed misogyny, without actually exploring where ideals of ‘best-ness’ arise

Federal museums ensure that art is not merely the purview of the leisured class; the impasse is an abdication of that responsibility

100 years on from World War I, the filmmaker’s latest work Mimesis: African Soldier remembers the faces we seldom see in history books

Love, betrayal and grief: the late Cuban artist’s first US museum retrospective reveals the full range of her powers

At last, MoMA has restored the dancer, choreographer and filmmaker’s 1980s classic

Lu’s detention has elicited moderate international concern, in stark contrast to the general indifference to the targeting of Uyghur artists in the region

Artist Jonas Lund has created a Cambridge Analytica caricature, ‘Operation Earnest Voice’, with one simple mission – but how serious is his ‘leftist fake news generator’?

In the vast greenhouse complex, goths, art kids, academics and patrons gathered to witness an allegorical spectacle

Alfonso Cuarón’s Roma is full of other movies, yet it ignores the political and dialectical history of movies themselves

The demise of HMV can be mourned as the decline of owning tangible media – but something greater is at stake

The avian playground was a manifesto for a modernism that could employ gymnastic engineering to theatrical effect – what happens with its inhabitants long gone?