Orit Gat

Why are kids born in the 2000s lip-synching to the 1983 film ‘Possibly in Michigan’?

By Orit Gat

There’s impressive and unexpected art in the city, even during the summer doldrums

By Orit Gat

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

By Orit Gat

How does an image captured 55 million light-years from Earth reflect on humanity?

By Orit Gat

‘Every two minutes, people upload more images to the internet than existed in total just 150 years ago’

By Orit Gat

With drastic layoffs at online publications, there’s uncertainty not only about digital journalism – but today’s internet as we know it

By Orit Gat

When more photos are uploaded to Instagram every single day than existed 100 years ago, there is solace in blankness

By Orit Gat

An altercation between a White House correspondent and the president becomes a visual question: what is it that we see?

By Orit Gat

The Eyebeam Center for the Future of Journalism is on a mission to support artists who engage with investigative reporting

By Orit Gat

An exhibition at Tanya Bonakdar, New York, draws attention to the labour behind the goods of modern life and how their histories are thread together

By Orit Gat

Held across three Baltic cities for the first time, why did this edition make no attempt to say something to – or about – its host region?

By Orit Gat

Nottingham Contemporary, UK

By Orit Gat