Orit Gat

Timothy Taylor, London, UK

Lynn Hershman Leeson, Mike Kelley, Laura Owens, and more: the best exhibitions on view during Frieze Week

From the concept of human nature to post-Brexit erotica: what to read this weekend

Orit Gat and artist Julia Weist travel to Havana in search of El Paquete Semanal, the Cuban offline internet

A round-up of the best shows opening during Frieze Week

From transgender narratives to the cosmic hum: what to read this weekend

Cameron Rowland, Attica Series Desk, 2016, steel, powder coating, laminated particleboard, 152 × 182 × 73 cm. Courtesy: the artist and Essex Street, New York; photograph: Adam Reich

Artists Space, New York, USA

Vilma Gold, London, UK

Vivienne Griffin, Intimacy (again), 2015, alabaster, watercolour, limestone, tempered steel, 87 × 41 × 30 cm

Bureau, New York, USA


Marking it's 25th birthday, writer Orit Gat chairs a panel on the history of art and the Internet 

Ian Cheng, This Papaya Tastes Perfect, 2011, still from motion capture animation

How will stories be told in the future?


On concentration and distraction in art criticism