Painting

Showing results 21-40 of 162

Capturing moments of stillness and anticipation, at Workplace, London, the artist uses layers of stippled colours to conjure never-ending narratives

BY Tom Morton |

Two cities, two creatives, two shows

In Collaboration with AMI Alexandre Mattiussi

When lockdown hit London, the artist Issy Wood used her blog as a regimented daily exercise: an attempt to describe the experience of a time when ‘every day is precious but of no consequence’

BY Issy Wood |

Amongst the family portraits and Sèvres porcelain, the artist’s newly commissioned paintings reflect on a broken Britain

 

BY Aindrea Emelife |

At Ortuzar Projects, New York, the artist’s radiant portraits of travellers on ‘citizen ships’ maintain ‘an abiding faith in the power of the human spirit’

BY Saim Demircan |

At Braunsfelder, Cologne, a series of painted rubber plants speaks to our need for calmness

 

BY Moritz Scheper |

For Adnan, art and politics need not be in conflict

BY Pablo Larios |

At Adams and Ollman, Portland, the artist’s recent paintings depict scenes now impossible in quarantine 

BY Bean Gilsdorf |

At the Norval Foundation, Cape Town, the artist’s recent paintings refer to the contentious 2017 re-election of Uhuru Kenyatta 

BY Sean O'Toole |

At the DePaul Art Museum, Chicago, the artist’s methodical excavation of her own home results in deeply evocative paintings

BY Alex Jen |

‘Out of Body’ – Self’s new solo show at the Institute of Contemporary Art Boston – rumbles with piqued, defiant portent

BY Lake Micah |

An exhibition by the late American painter at Galerie Max Hetzler, Berlin, explores the struggle between men and women’s desires 

BY Tal Sterngast |

The artist’s exhibition at PSM Gallery, Berlin, reflects on the relationship between body and mind

BY Sonja-Maria Borstner |

In a retrospective at MAMCO, Geneva, rigour is underscored by play

BY Anya Harrison |

A major retrospective at Dresden’s Albertinum sheds new light on the artist’s relationship with his hometown

BY Sarah E. James |

Collezione Maramotti, Reggio Emilia, exhibits the painter’s postmodernist appropriation of philosophical and historical narratives

BY Ana Vukadin |

An exhibition at London’s National Gallery shows a rebellious painter’s ambivalent relationship with the Western canon

BY Adam Heardman |

All attention is an act of devotion, and patience is the pleasure of this touring exhibition of contemporary paintings 

BY Cal Revely-Calder |

Confronting tensions in the Taiwanese artist’s first performance in New York, at Performa 19