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Philomena Epps

From her kitchen table in Canterbury, the Australian curator quietly reinvented the exhibition format

By Philomena Epps

At Amanda Wilkinson Gallery, London, two series of work from the 1970s show the late artist’s playful, powerful intertwining of text and image

By Philomena Epps

Exploring the legacy of the radical 1960s London gallery in a group show curated by kurimanzutto, Mexico City, at Thomas Dane, London

By Philomena Epps

Alfredo Jaar’s show at Yorkshire Sculpture Park, Wakefield, forces truth and images to confront each other

By Philomena Epps

Ahead of the 5th edition of his cult annual event – the first outside of New York – Stewart Uoo talks positivity, performance and parties

By Philomena Epps

Nina Höchtl and Julia Wieger discuss researching the Austrian Association of Women Artists and their efforts to disrupt unreliable histories

By Philomena Epps
Aude Pariset, GREENHOUSES (detail) , 2016. Courtesy of the artist and Sandy Brown; photograph: Kansallisgalleria | Finnish National Gallery / Petri Virtanen

Kiasma Museum of Contemporary Art, Helsinki, Finland

By Philomena Epps