Piero Golia

Rome has long been a draw for international artists and now, increasingly, galleries. Have Italian artists been left at the gates?

By Ilaria Puri Purini
Piero Golia, Chalet Hollywood, 2016. Courtesy the artist; photograph: Jeremy Bittermann

What Piero Golia's Chalet project reveals about private and public social spaces for artists

By Aram Moshayedi
Luigi Ghirri, Capri, 1982, from ‘Viaggio in Italia’ (Journey through Italy), 1973–84, photograph. Courtesy: Museo di Fotografia Contemporanea, Cinisello Balsamo © The Estate of Luigi Ghirri

The 55th Venice Biennale

By Barbara Casavecchia