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Post-Internet

From Myspace aesthetics to Backpack Kid, entering London’s narrative projects feels like stumbling into an online echo chamber

By Mimi Chu

How dis.art blurs the lines between education, entertainment and commerce

By Travis Diehl
Joshua Portway and Lise Autogena, Black Shoals; Dark Matter, 2015, still of real-time representation of the financial markets. Courtesy the artists and Somerset House, London

Whitechapel Gallery & Somerset House, London, UK

By Gary Zhexi Zhang
Illustration by Lauren Rolwing

New shows, same old problems

By Paul Teasdale

Essay - 30 Oct 2013

What do we mean by Post-Internet art?