Review

Showing results 481-500 of 2142

An exhibition at MUAC, Mexico City, revisits how the artists searched for new forms of collective expression during the late 1960s

BY Anna Goetz |

An exhibition at Thomas Dane Gallery, London, sheds new light on the filmmaker’s masterpiece and its appearance in pop culture and the arts

BY Rosanna McLaughlin |

A retrospective survey at MoMA and MoMA PS1, New York, considers how Nauman stretches language, to demonstrate how it, in turn, moulds us

BY Che Gossett |

Two new performance videos shown at Reena Spaulings Fine Art, New York, reflect on the increasing entanglement of finance and real estate

BY Kari Rittenbach |

An exhibition at Kunstverein, Amsterdam, revisits how the artist linked the nihilism of politics in the 1970s with a suitably absurdist aesthetic

BY Carina Bukuts |

The artist’s first large exhibition in China at Rockbund Art Museum, Shanghai, captures how hope and disappointment can co-exist in the same frame

BY Cristina Sanchez-Kozyreva |

At Almanac Projects, London, the artist sheds new light on the way women are turned into objects 

BY Izabella Scott |

For an exhibition at Kunsthalle Bern, the grey, red and pink toys formed a cute, uncanny parade

BY Jörg Scheller |

At Autograph, London, Boswell’s first institutional exhibition reveals what it truly means to recover from trauma

BY Rianna Jade Parker |

From tarot cards to AA flyers, the artist’s installation at Lucas Hirsch, Düsseldorf, sketches out a precarious existence

BY Moritz Scheper |

An exhibition at MOCA, Los Angeles, creates a trans-historical dialogue between Farber’s works and a generation of artists he influenced

BY Jonathan Griffin |

A survey at the Museum of Fine Arts, Houston, revisits the artistic movement and sheds new light on its demand for political change 

BY Evan Moffitt |

An exhibition at KOW, Madrid, reveals Hammer’s early explorations, marked by a persistent sense of fragmentation and search for freedom

BY Lorena Muñoz-Alonso |

At Zachęta, Warsaw, the artist argues that maps are essentially constructs: tools of knowledge production and identity politics

BY Krzysztof Kościuczuk |

A retrospective at Denmark’s Louisiana Museum of Modern Art reveals the painter’s universe: life as a vortex of activity, sound and fury which may ultimately symbolize nothing

BY John Quin |

What three shows about Japanese art from a pivotal decade tell us about the selective memory of cultural institutions

BY Andrew Maerkle |

The German artist’s latest exhibition in New York ‘reopens the wounds of colonialism’ – supposedly

BY Harry Thorne |

On show at Galerie Thaddaeus Ropac in London, the works show the American master at the height of his powers

BY Cal Revely-Calder |

For his show at Palais de Tokyo, Paris, the artist created an interactive ‘parcours’ to shed new light on humanity’s changing relationship to nature

BY Wilson Tarbox |

An exhibition at MAXXI, Rome, presents a vision of our maturing digital consciousness by drawing a connection between surrealism and AI

BY Rachel Falconer |
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