Review

In the time of COVID-19, the artist's pulmonary pangs at ChertLüdde, Berlin, feel uncomfortably prescient

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

At Accelerator, Stockholm, Johanna Gustafsson Fürst reflects on the systematic repression of indigenous languages in her home country

At Adams and Ollman, Portland, the artist’s recent paintings depict scenes now impossible in quarantine 

At Spelman College, the artist’s selection of images from the Johnson Publishing Company celebrates ‘a house that black entrepreneurship built’ 

Saturated with marketing sleights of hand and anti-capitalist theory, her work isn’t to blame, any more than I am for reproducing the same rhetoric here

In the face of creeping far-right thinking, an exhibition in Munich underscores the role contemporary art can play in ensuring historic atrocities are never forgotten

Can Reiner Holzemer’s documentary finally lift the lid on the famously private designer? 

The artist presents a range of paintings and sculptures at The Contemporary Austin that problematize grand historical narratives 

The artist’s new immersive installation at Centre Pompidou explores ecstatic states as a means of reconnecting with human empathy

‘Death in Her Hands’ toys with the conventions of crime fiction in ways that are often heavy-handed 

The artist’s installation – based on the interior of a nearby gay cruising bar – invokes a haunted sense of refuge

At the Norval Foundation, Cape Town, the artist’s recent paintings refer to the contentious 2017 re-election of Uhuru Kenyatta 

The artist’s exhibition at Centre d’art contemporain Passerelle, Brest, blends gender, race and class politics with science fiction

At Museo Jumex, Mexico City, a retrospective of the pioneering architect’s key projects shows how she worked to tear down class and racial barriers in Brazilian society

In Prajakta Potnis’s show at Project 88, Mumbai, her uncle’s illness eerily presages the Covid-19 emergency

Through her spatial interventions at Établissement d’en face, Brussels, the artist reflects on the layering between art and politics 

The new HBO series imagines a celebrity, Nazi-sympathizing president and election fraud in the 1940s 

An exhibition at Jan Kaps, Cologne, stresses the trauma of economic transformations in formerly socialist countries

In an exhibition at Kunstverein München, Hill’s work from the 1960s appears prescient in its exploration of female office labour