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Rianna Jade Parker

A 1979 televisual essay by the cultural theorist offers insight into black politics and representational struggle in the British media

By Rianna Jade Parker

At Autograph, London, Boswell’s first institutional exhibition reveals what it truly means to recover from trauma

By Rianna Jade Parker

Who’s Afraid of Barney Newman (1968) invokes a multiplicity of diasporic readings’

By Rianna Jade Parker

An exhibition at the Black Cultural Archives, London, underlines the lasting importance of the self-taught photographer's work

By Rianna Jade Parker