Rosanna McLaughlin

The AI host of Netflix’s latest reality dating show is the love child of Big Tech and Saint Augustine

By Rosanna McLaughlin

Can her new single, ‘Back to Me’, resurrect the career of Hollywood’s favourite fallen idol?

By Rosanna McLaughlin

The controversial star of Netflix’s latest documentary is hard to watch – but harder to stop watching

By Rosanna McLaughlin
Zoé Whitley, 2020, specially commissioned illustration by Olga Prader. Courtesy: the artist

The new director of London’s Chisenhale Gallery on thinking like an artist, racial hierarchies in museums and how she nearly didn’t apply for the job

By Rosanna McLaughlin

A new exhibition looks back at the artists who resisted poisonous cultural narratives of the ’80s and ’90s with care, humour and style

By Rosanna McLaughlin

Is the show's endless parade of heterosexual clichés a form of satire – or not?

By Rosanna McLaughlin

The moral high-ground has been claimed by many in the 2010s; it has also been placed in perpetual doubt

By Rosanna McLaughlin

‘Generation Q’ is as implausible as the original series, but complaining about the show’s lack of nuance is missing the point

By Rosanna McLaughlin

In the artist’s frank new memoir, her turbulent decade-long relationship with Lucian Freud is one trial of many to be endured in the pursuit of her art

By Rosanna McLaughlin

From the recent opening of the Villa Cerruti to Charleston’s new gallery, idiosyncratic museums and collections are flourishing

By Rosanna McLaughlin

At Studio Voltaire, London, Mary Reid Kelley and Patrick Kelley take aim at #mefirst capitalism and the gospel of self-care

By Rosanna McLaughlin

An exhibition at Thomas Dane Gallery, London, sheds new light on the filmmaker’s masterpiece and its appearance in pop culture and the arts

By Rosanna McLaughlin