Senegal

Djibril Diop Mambéty, Hyènes (Hyenas), 1992. Courtesy: Metrograph Pictures, New york

At Metrograph, New York, Djibril Diop Mambéty’s newly remastered Hyènes offers a darkly comic metaphor of globalization

By Evan Moffitt
Jacqueline de Jong, The Situationist Times, 1962–67, covers of issues 5 and 6, designed and edited by Jacqueline de Jong. Courtesy: the artist and the Beinecke Library, Yale University, New Haven

From situationists to shame: what to read this weekend

By Paul Clinton