From Palantir to Microsoft to Google, the new resistance arises from labour itself

By Mike Pepi

An exhibition at Boers-Li Gallery, Beijing, reflects on the rising voyeurism within changing media structures

By Tom Mouna

On 28 October 2015, a US military surveillance blimp rampaged across rural Pennsylvania after breaking its tether above Maryland 

By David Birkin

In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?

By Nathaniel Budzinski

The artist's tightly choreographed show about surveillance culture at Koppe Astner, Glasgow

By Chris Sharratt

How artists are mapping the flow of onshore and offshore global wealth, before and after the Panama Papers

By Christy Lange

As Yuri Pattison wins the 2016 Frieze Artist Award, we revisit some of the best frieze articles about art, Big Data and you

Anish Kapoor buys the world's darkest colour and Iggy Pop becomes a life model: a round-up of the latest art news

    Home (with Holly Herndon),  2014, video still. Courtesy: the designers, Holly Herndon  and RNVG, New York

    Sarah Hromack unpacks the work of the Dutch design studio

    By Sarah Hromack
    R. Crumb, illustration from  ‘The Religious Experience of Philip K. Dick’ published in Weirdo #7,  1986. Courtesy: © Robert Crumb, 1986

    Did Philip K. Dick predict the future of surveillance?

    By Andrew Hultkrans

    The art world’s ambivalent response to surveillance

    By Jörg Heiser
    Todd Eberle, (Untitled) IBM 1620 Data Processing System, 1968, 1999, photograph. Courtesy: © Todd Eberle

    Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect.

    By Jörg Heiser