Taryn Simon speaks about her new project, a collaboration with a nuclear facility in Russia
Various venues, Fukushima & Watari Museum, Tokyo, Japan
Presents her recent work, A Living Man Declared Dead and Other Chapters I–XVIII (2012)
How do contemporary artists accept or reject the strategies of reportage?
Art has a long history of engagement with politics. Does recent so-called socially engaged or political art really effect change?
Taryn Simon’s photographs of restricted locations reveal an unsettling side to the American Dream