Travis Diehl

There is a place for evidentiary art – but not for Kenneth Goldsmith’s print-out of 62,000 pages of the former US Secretary of State’s correspondence

Though it tactfully sidesteps the real politics of housing, ‘Landlord Colors’ offers an alternative model to the ‘development biennial’ 

In her solo show at CCA Wattis, San Francisco, the artist invokes sports awards to critique our obsession with victory

A series of sculptures shown at Jenny’s, Los Angeles, challenge traditional categories of art 

An exhibition at House of Gaga / Reena Spaulings Fine Art, Los Angeles shows cyborgian sculptures that are combos of mechanics and organic matter

The artist’s retrospective, curated by John Baldessari and Meg Cranston at ICA LA, shows how thin the line is between artist and art worker

For the 2018 edition of the biennial, it’s as if artists feel the need to resolve situations formally where they can’t be resolved for real

How dis.art blurs the lines between education, entertainment and commerce

A wild weekend at the High Desert Test Sites festival 2017

Los Angeles Contemporary Exhibitions and Pitzer College Art Galleries, Claremont, USA

David Kordansky Gallery, Los Angeles, USA

Western art and Mexican culture collide in the work of Eduardo Sarabia

REDCAT, Los Angeles, USA

Susanne Vielmetter Los Angeles Projects, USA

In the work of Rafa Esparza, colonialism, family history and sex collide with the landscape of Los Angeles 

Michael Benevento, Los Angeles, USA

Sprüth Magers, Los Angeles, USA

Museet for Samtidskunst, Roskilde, Denmark

Jenny’s, Los Angeles, USA

356 Mission, Los Angeles, USA