Travis Diehl

Showing results 1-20 of 41

A ‘survey’ of his upbringing, the artists hometown exhibition at Dallas’s Nasher Sculpture Center reimagines cafeteria furniture and science-class skeletons

BY Travis Diehl |

From Christopher Wool’s swirling abstractions in the Financial District, to Huma Bhabha’s bronze forms at Brooklyn Bridge Park, these are the must-see exhibitions during Frieze New York

BY Travis Diehl |

The artist’s new installation at SculptureCenter is a strained metaphor for colonization, gender binaries and time itself

BY Travis Diehl |

With major shows at MCA, Chicago and Hauser & Wirth London, the artist assesses his past, present and future

BY Travis Diehl |

On the occasion of the artist’s first major retrospective outside of the US, Travis Diehl considers the 1985 painting ‘Untitled (Green Storefront)’

BY Travis Diehl |

The Founder of Del Vaz Projects expands his vision with the Frieze projects program, sited across Santa Monica and the Westside

 

BY Travis Diehl |

The artist’s new show at King’s Leap, New York, uses ‘TIME’ magazine to unpack recent historical narratives

BY Travis Diehl |

From Lorraine O’Grady’s photocollages from the 1990s at Alexander Gray Associates to Kiyan Williams’s deep-fried American Flags at Lyles & King, these are the must-see shows

BY Travis Diehl |

At the Queens Museum, New York, a survey of the artist’s career showcases her feminist genre of social practice

BY Travis Diehl |

A group show curated by Sylvie Fortin at the Bemis Center for Contemporary Arts, Omaha, delves into the politics of social health

BY Travis Diehl |

At SculptureCenter, New York, the artist’s new, K-Pop inspired, video sees revolution as an illness

BY Travis Diehl |

The artist speaks on his latest series of small, abstract tableaux, reflecting on the history of landscape painting and why uncertainty can create a sense purpose

BY Travis Diehl AND Kenjiro Okazaki |

At the Institute of Contemporary Art, Miami, the artist presents a suite of new works that confronts the notion of 'white angst' in western iconography

BY Travis Diehl |

Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write

BY Travis Diehl |



At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations

BY Travis Diehl |

The artist on her proposed New Monument for Franska Tomten and how minimalist aesthetics speak to the complex history of Sweden’s colonial past

BY Travis Diehl AND Aria Dean |

The artist’s first feature film depicts a mother-daughter pair of grifters trying to stay afloat through financial recession 

BY Travis Diehl |

Conceptual artist Patrick Jackson presents a series of photographs and glass shelves that riff on modernism and minimalism

BY Travis Diehl |

At Matthew Marks, New York, the artist’s enigmatic marbles and projections perform a subtle excavation of the gallery’s architecture 

BY Travis Diehl |

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

BY Travis Diehl |