US Reviews

At Regen Projects, Los Angeles, the artist’s multi-media works explore the similarities between entertainment and state oppression

At Gagosian, New York, paintings that blend surrealism and social realism depict the disaffection of modern workers

At David Zwirner, New York, plants drawn from Eastern Nigeria and Los Angeles coexist with figures and settings sourced from magazines, books and family photographs

At W-galería, the artist collaborates with Guaraní weavers in a decolonial project of self-representation 

At Sargent’s Daughters, New York, empathetic oil paintings suggest healing through revisitation

Portland’s arts biennial, Converge 45, adopts an idealist vision of what it means to be a citizen of the world

While ‘Choreographies of the Impossible’ stumbles curatorially, this edition nevertheless feels vital and exciting

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production

At MOCA GA, the artist's sculptures adapt Kente cloth as a framework for pan-Africanism

From a survey of African fashion at the Brooklyn Museum, New York, to Florian Krewer’s animalistic oil paintings at Aspen Art Museum

At the Brooklyn Museum, New York, more than 300 items from 1950 to present day capture the global impact of artists from the continent

At Night Gallery, Los Angeles, claustrophobic paintings of horse races meditate on risk, desire and control

Inspired by Mesoamerican culture and Mexican modernism, the artist’s materially lush sculptures and drawings aspire to a time beyond geopolitical violence

At The Arts Center at Governors Island, New York, the artist presents installations that induce an embodied reflection on immigration and national identity

Raw figurative paintings at Aspen Art Museum show how the artist's relocation to New York in 2020 infused new life into his work

At Jack Shainman Gallery’s The School, New York, a pioneer of 1960s avant-garde film is remembered for his more contemporary works

At Helena Anrather, New York, the artist’s sculptures, photographs and video work document the surviving architecture of a less gentrified Lower Manhattan

In a retrospective at Museo de Arte Moderno de Bogotá, the artist’s brutal visions of his homeland’s history are juxtaposed with sometimes too-safe curatorial decisions

At P.P.O.W, New York, the artist presents drawings, sculptures and installations created from the material and spiritual detritus of his Massachusetts hometown

A survey of the artist’s revolutionary drapo flag-making at the Fowler Museum at UCLA situates her within the canon of her craft and country