Vivian Sky Rehberg

From debates around colonial histories to resonant conversations around precariousness, a year of questioning long-held convictions

By Vivian Sky Rehberg

An interview with Casco – Office for Art, Design and Theory, on new ways for art institutions to work

By Vivian Sky Rehberg, Binna Choi and Yolande van der Heide
Karrabing Film Collective, Windjarrameru, The Stealing C*nt$, 2015, film still, 35’. Courtesy: the artists

Various venues, Mechelen, Belgium

By Vivian Sky Rehberg

Jeu de Paume, Paris, France

By Vivian Sky Rehberg

Basim Magdy, Bharti Kher, Alicja Kwade, and more: A round-up of the best current shows in the capital

By Vivian Sky Rehberg

Jean-Luc Moulène's enigmatic responses to creativity and labour

By Vivian Sky Rehberg

The changing landscape of the French capital’s gallery scene

By Vivian Sky Rehberg
CMYK Colour registration head, 2015, acrylic on black and white photograph, laminated onto canvas, 51 x 71 cm. Courtesy the artist

At Witte de With Center for Contemporary Art, Rotterdam, the artist’s first large-scale solo exhibition in Europe offers a surprisingly analogue vi

By Vivian Sky Rehberg
Ahmet Öğüt, Bakunin’s Barricade, 2014, including paintings by Marlene Dumas, El Lissitzky and Pablo Picasso

Van Abbemuseum, Eindhoven, The Netherlands

By Vivian Sky Rehberg
Wendelien van Oldenborgh, Footnote to Chapter 2 (Experiments don’t need to succeed, they just need to exist) from ‘Footnotes to Beauty and the Right to the Ugly’, 2014, HD video installation

Wilfriend Lentz, Rotterdam, the Netherlands

By Vivian Sky Rehberg

A conversation about the legacy of 1913, a defining year in exhibition-making

Essay - 26 Oct 2012

Vivian Sky Rehberg on the traffic between the worlds of art and dress