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Wanda Pimentel

Anna Maria Maiolino, É o que Sobra (What Is Left Over), from the series ‘Fotopoemação’ (Photopoemaction), 1974, digital print, 62 × 153 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

How the radical practices of female artists drove the Modernist movement in Brazil

By Claudia Calirman
Wanda Pimentel, ‘Série Envolvimento’, 1968. Courtesy: Coleção Gilberto Chateaubriand, MAM-RJ, Rio de Janeiro and Museu de Arte de São Paulo (MASP), São Paulo; photograph: Marco Terranova

Museu de Arte de São Paulo (MASP), São Paulo, Brazil

By Fernanda Brenner