Wangechi Mutu

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At The Bronx Museum of the Arts, New York, the group show, focusing on intersectional artists, situates artmaking as a crucial salve to feminist cultural work

BY Erica N. Cardwell |

The artist answers the frieze questionnaire ahead of her solo show at the Legion of Honor, Fine Arts Museums of San Francisco 

BY Wangechi Mutu |

The Kenyan-American artist’s bronze caryatids occupy the museum’s empty niches which have lain bare for 117 years

BY Kadish Morris |

Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

BY Evan Moffitt |

The artist creates a specially commissioned work for frieze in response to Yoko Ono’s legendary 1965 performance ‘Cut Piece’

BY Wangechi Mutu |

‘Her oeuvre was a radical departure and fiery negation of the masculine art-making that was prominent in the 1970s’

BY Wangechi Mutu |