Yokohama Triennale

Japan’s growing number of art festivals tread a precarious path between state-sponsored leisure-culture and soft-power machinery

By Andrew Maerkle

Collector Agnes Gund sells a Lichtenstein to fight mass incarceration; On Stellar Rays to close; Lisson to represent Leon Polk Smith Foundation

Shinro Ohtake, Retinamnesia Filtration Shed, 2014, installation view at Yokohama Triennale

Various venues, Japan

By Ellen Mara De Wachter