Zoë Hopkins

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Displayed in a labyrinth at Pace Gallery, New York, the artist's latest ‘Black Dada’ paintings fail to generate productive friction

BY Zoë Hopkins |

The artist’s exhibition at Greene Naftali, New York, recasts Icarus within a modern-day exploration of Black emancipation and freedom

BY Zoë Hopkins |

At David Zwirner, New York, plants drawn from Eastern Nigeria and Los Angeles coexist with figures and settings sourced from magazines, books and family photographs

BY Zoë Hopkins |

In ‘L’être, l’autre et l’entre’ at Palais de Tokyo, Paris, the artist weaves together human and cosmological in-betweens

BY Zoë Hopkins |

From Mark Bradford’s eloquent abstractions to Keith Haring’s first museum exhibition in Los Angeles

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From a group show of funky ceramics at The Museum of Arts and Design, New York, to Richard Mosse at Altman Siegel and Minnesota Street Project Foundation, San Francisco

BY frieze |

At Hauser & Wirth, New York, Mark Bradford shows new paintings alongside video work and sculpture that probes histories of race, land and migration

BY Zoë Hopkins |

A group exhibition at blank projects, Cape Town, brings together artists whose work experiments with the materiality of the earth

BY Zoë Hopkins |

In collaboration with Voloshyn Gallery in Kyiv, this exhibition at Fridman Gallery foregrounds the Ukrainian women at the discursive frontiers of history

BY Zoë Hopkins |