Elaine Cameron-Weir: Frieze Projects

From Graham Little’s meditations on beauty to Marie Watt’s expansive material exploration in her first travelling retrospective

Her pseudo-sacred sculptures at Lisson Gallery create a bricolage of Christo-medieval relics, high fashion and doomsday aesthetics

The curator talks about her approach to the 59th International Art Exhibition and restoring energy to the Venice Biennale

In a cavernous Central Pavilion, ‘The Milk of Dreams’ reminds us that feminist triumphs and struggles stretch beyond time and geography 

The Director & Chief Curator of High Line Art and Artistic Director of the 59th Venice Biennale shares her top five picks from Frieze Viewing Room 

As galleries return from summer break with a full slate of programming, here are the best shows in town

The artist brings subtle grandeur to Dortmunder Kunstverein with a series of luxuriant installations, alluding to pleasure, pain and transcendence

From Anthropocenic doom in Cecilia Alemani’s Italian Pavilion in Venice to Alvin Lucier’s I Am Sitting in a Room at d14

Flavin Judd talks about protecting his father’s legacy, and how the Judd’s furniture - presented at Frieze New York - got made

Mary Ceruti explains why sculpture might matter more than ever, and the artworks they’re bringing exlucsively to Frieze New York