In an ongoing series, frieze asks artists and filmmakers to list the movies that have influences their practice Originally trained as a sculptor, Deimantas Narkevičius began working with film in the early 1990s. His films examine the relationship of personal memories to political histories, particularly those of his native Lithuania. Employing documentary footage, voice-overs, interviews, re-enactments and found photographs, Narkevičius’s films and videos submit historical events to the narrative structures of storytelling and cinema. His work was on view at the New Museum in New York in the recent exhibition ‘Ostalgia’, and his solo exhibition at gb agency in Paris, ‘Restricted Sensation’, runs until 22 October.
We are currently witnessing a profound cultural implode which mirrors in its intensity the recent economic collapse. As the markets round on nations unable to sustain the debt brought upon them through bank bail-outs, and as the proverbial house of cards looks set to spectacularly fall once again, the arts assumes a familiar historical position.