EU Reviews

Showing results 301-320 of 333

With rapid cuts, spatial leaps and sudden bursts of sound, two films at Stedelijk Museum, Amsterdam, create a maze-like experience

BY Ren Ebel |

The artist’s recent retrospective at Kunsthalle Bern wittily reflects on the circumvention of originality

BY Jörg Scheller |

Nicole Gravier’s ‘fotoromanzi’ at Ermes-Ermes, Vienna, create an escapist melodrama that stresses the dependence of capitalism on unpaid housework by women

BY Max L. Feldman |

At Sophie Tappeiner, Vienna, the artist highlights the ways in which Kurdish culture is expressed at the intersection of myth and reality

BY Tom Hastings |

From bratwurst sculptures to Prussian monuments, at Sammlung Philara, Düsseldorf, the artist looks at the construction of German identity 

BY Chloe Stead |

With ‘Cantiere’, the sculptor shows himself to be one of Italy’s best kept secrets

BY Ana Vukadin |

Fin de siècle squalor and sardonic masques in ‘Grand Hotel Abyss’, the 2019 edition of the annual Austrian festival

BY Adam Kleinman |

The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived

BY Audrey Wollen |

Anders Dickson’s ‘Songs of Rain and Hobo Chili’ conjures the ephemerality of place

BY Krzysztof Kościuczuk |

The artist’s exhibition at Galerie Sultana, Paris, explores compassion as a means of resisting capitalism

BY Dorian Batycka |

Shannon Bool’s show at Kunstverein Braunschweig calls attention to the exoticising and objectifying vision of Le Corbusier

BY Carina Bukuts |

Tanaka’s retrospective at Moderna Museet, Stockholm, reveals humour and radicality in everyday things

 

BY John Quin |

With the current debate on art institutions’ reliance on private funding, the Dutch artist teaches us how to avoid becoming complicit in a company’s shady activities 

BY Kito Nedo |

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

BY Hettie Judah |

At Damien & The Love Guru, Brussels, Clark queers the historical record about a past cultural figure

BY Vivian Sky Rehberg |

The Berlin-based artist’s mid-career retrospective at Spain’s Reina Sofía is a free and self-determining triumph

BY Wes Hill |

This year’s edition of the French biennale asks how biological and economic developments inform one another

BY Helena Julian |

The artist’s exhibition at Delmes & Zander, Cologne, exposes society’s fear of sexually self-determined women

BY Moritz Scheper |