Nicole Gravier’s ‘fotoromanzi’ at Ermes-Ermes, Vienna, create an escapist melodrama that stresses the dependence of capitalism on unpaid housework by women
The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived
With the current debate on art institutions’ reliance on private funding, the Dutch artist teaches us how to avoid becoming complicit in a company’s shady activities
From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world